StudentShare
Contact Us
Sign In / Sign Up for FREE
Search
Go to advanced search...
Free

Comparison of Artworks from a Non-Western Culture: Themistokles von Eckenbrecher and David Roberts - Research Paper Example

Cite this document
Summary
The "Comparison of Artworks from a Non-Western Culture: Themistokles von Eckenbrecher and David Roberts" paper discusses that both artists in their works envision the ideal rural locations Egypt and Norway were known for when young. They can be regarded for uncovering natural beauty…
Download full paper File format: .doc, available for editing
GRAB THE BEST PAPER93.2% of users find it useful
Comparison of Artworks from a Non-Western Culture: Themistokles von Eckenbrecher and David Roberts
Read Text Preview

Extract of sample "Comparison of Artworks from a Non-Western Culture: Themistokles von Eckenbrecher and David Roberts"

when Due: Compare and contrast an artwork from a Non-western culture (any culture discussed within chapters 18) with one similar in form and media from our Western European culture, (any culture discussed in chapters 13, 14, 15, 16 & 17). Using the four steps of art criticism, analyze each work separately, citing its differences and similarities. Introduction The selected artists for this analysis are Themistokles von Eckenbrecher from Germany and David Roberts from Scotland. To begin with, though the two selected artists are from different regions with different cultures, they appreciate arts. Their works of arts are influenced directly by nature. For instance, Themistokles on his view of Laerdalsoren predominantly employs the use of organic shapes. The southern landscape has some elements of irregularity or rounded forms as directly viewed in the vegetation, rocks, ocean clouds and the sky. The mountain ridges are seen in the background bear curving terrains. The following are the examples of the pieces of art from the two artists. Title: View of Laerdalsoren Title: Hypaethral Temple of Philae Artist: Themistokles von Eckenbrecher Artist: David Roberts (Scottish, 1796-1864) (German, 1842–1921) Medium: oil on canvas Medium: oil on canvas Dimensions: N/A Dimensions: 30.5mm×40mm Date: 1838 Date: 1901 Description On the other hand, Roberts in his art also considered organic shapes as clearly seen in his work. The terrain around the temple bear smooth curving. The few palm trees seen near the temple have long curving branches. Consequently, the numerously green cover vegetation beneath the tall palms is well represented in the artwork. The irregular bayonet shaped leaves of the palms frond flutter in the sea breeze. In both artworks, above the tidal waves of the sea is the blue sky where the clouds are ambiguous and in a constant morphing into new shapes. The two art pieces can be good examples where the atmospheric perspective technique has been incorporated since the two artists subtlety alters colors, value and details so as to provide a real sense of being in the sunshine state of a tropical climate. In his working, Roberts uses tones of pale yellow color to unite the sandy beach and the sky evoking a humid and hazy atmosphere Egypt is well known for that. The figure of the composition it the smooth curving rocky terrain in the left of the Themistokles’ View of Laerdalsoren extending all the way to the background and surrounding the sea. In the center, lie the ocean, a boat, and some people riding horses at the beach. There is also a white road leading to another bay in the other side of the ocean. The road and the other structures at the other side are diminishing in sizes giving an impression of the increased distance between them and the viewer. These far away structures are seen beyond an increased quantity if air and more reflection of the seawaters making them appear faded and less distinct. In the case of Roberts’ art, the foreground is clearly set where one can notice a boat with passengers. The palm trees are complete with strokes defining each leaf of the palms fronds and indicate rings are decorating the barks of the trunks. In his case, the boat lacks that adornment in that the planks of woods making the boat cannot be distinguished. Its passengers are also not clearly seen, they appear they do not have faces and hands. However, in the color choices, Themistocles’s colors are mainly comprised of green vegetation, cool colors and blue sky and ocean. On the contrary, Roberts overuses the yellow color in his art. The color scheme is not analogous as the piece excludes variation in color between the hues contiguous to one another on the color wheel. At other instances, there are excellent colors scheming in both pieces. The clouds in the art are impartial colored with a white adding to fit the quality of work. In his work, Roberts creates an illusion of motion in his art Hypaethral Temple of Philae where the growing palms beneath the tall one at the center implies to be growing towards the water, ocean (Fichner-Rathus, pp100-120). Analysis In both pieces, the two artists considered balancing between unity and variety. The components such as palm trees, ocean, sky and clouds belong together making their combinations to embody the nature and form a harmonious a whole. For instance, if Roberts was to exclude the palm trees, ocean or the cloudy sky his piece would diminish in quality. In addition, the repeated placement of green vegetation cover sprouting all the way from the beach to the high mountain regions by Themistokles is a unit of choice. Both artists lack variety of displays in their pieces. Their vegetation species are not so diverse since they used palm trees and the grass only in their pieces. However, Themistocles shows some variety as seen in different instances. The people from the boat and those at the beach are uniquely individual, each wearing different color outfits and walking their own paths. Both artists apply asymmetrical imbalance in their arts, the left and the right sides are not relatively same. In order to obtain a visual equilibrium, various elements such as size, shape or placement are properly balanced. For instance, on the right of Roberts’ Hypaethral Temple of Philae, there is various activities going on there, passengers alighting and boarding the boat whereas on the right of his piece, is a gigantic sand hill with no vegetation on it. The size of this landscape feature is heavy thus balancing needs to be considered. The temple itself is the focus point of the work. The structure is visually positioned as the most detailed compared to other aspects of work (Fichner-Rathus, pp200-250). Interpretation David Roberts was born in Scotland; however, in his early life, he used to make long tours in Egypt 1838 to 1840. He produced sketches and large oil paintings of similar subjects that made him a prominent Orientalist painter and was later elected as a Royal Academician in 1841some of his renounced paintings include Departure of Israelites (1829), The Great Staircase, Stafford House (1832), The Temple of Dendera (1841) among others. In Roberts’ Hypaethral Temple of Philae, there is an isolated temple building with few people around it. The people seem to be concentrated much on the shore. These depicts on how Egypt’s climates were severe and not welcoming. People hang around the oasis to enjoy the cool breeze from the oasis. On the other hand, Themistokles von Eckenbrecher was born in Athens in 1842. He grew up in various locations, including Dusseldorf, Athens, Berlin, Potsdam and Constantinople. While growing in Dusseldorf, he obtained private lectures in painting with the famous Oswald Achenbach. Furthermore, he travelled across Europe especially Norway and the Middle East, as well as the Philippines and Africa. Many of his paintings dated after 1882 when he often spent time in Norway. Most of his drawings were oil on canvas and overall frame dimensions were 30.5mm by 40mm. in his art; Themistokles epitomizes how Norway was in the past. In his piece, he indicated people are riding their horses while others are on the boat. Those who are riding seem royal and important than those on the boat who have less clothing and looks like they are being supervised to fish. Though the two artists spent their lives in different places apart from their homes, their culture appreciation was maintained. However, in some instances, moving from one country to another did not establish a culture in them whereby they became diverse (Fichner-Rathus, pp250-280). Evaluation The two artists’ work epitomizes the natural landscape one would discover in Egypt and Norway’s beaches. Both arts are worth considering since they capture the unique features of the environment. For instance, Roberts in his art can depict the notorious climate of Egypt. He portrays the raw fundamental nature of the humidity and dust conditions found on a semi desert setting. Personally, I value the art as skillfully crafted and that it is an extraordinary piece as it triggers memories in the viewer. These pieces are nationally valuable in their different settings. For instance, Themistokles’ is a masterpiece that highlights the nature of Norway’s beaches in its shinning glory. He succeeds in catching historic moments of permanence during that time Norway was still changing. Both artists in their works envision the ideal rural locations Egypt and Norway was known for when young. They can be regarded for uncovering natural beauty in the two countries. Works Cited Fichner-Rathus, Lois. Understanding Art. New jersey: Cengage Learning, 2012. Read More
Cite this document
  • APA
  • MLA
  • CHICAGO
(“You can write one that fits Essay Example | Topics and Well Written Essays - 1000 words”, n.d.)
You can write one that fits Essay Example | Topics and Well Written Essays - 1000 words. Retrieved from https://studentshare.org/visual-arts-film-studies/1640187-you-can-write-one-that-fits
(You Can Write One That Fits Essay Example | Topics and Well Written Essays - 1000 Words)
You Can Write One That Fits Essay Example | Topics and Well Written Essays - 1000 Words. https://studentshare.org/visual-arts-film-studies/1640187-you-can-write-one-that-fits.
“You Can Write One That Fits Essay Example | Topics and Well Written Essays - 1000 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1640187-you-can-write-one-that-fits.
  • Cited: 0 times

CHECK THESE SAMPLES OF Comparison of Artworks from a Non-Western Culture: Themistokles von Eckenbrecher and David Roberts

Non-Western Cultures: Japan

The country can boost of its economic and cultural stability since it is unique and has not been completely influenced by the western culture.... The country can boost of its economic and cultural stability since it is unique and has not been completely influenced by the western culture.... Today, it comes second to the United States in terms of technology and innovation, and this shows that is known worldwide for accepting modernity and still having ties to its traditional culture....
3 Pages (750 words) Essay

Western Versus Non-western art

artworks from western civilization tradition are among the most analyzed pieces of art because of their quality, style and depiction.... It is important to point out that artworks from western civilization tradition were developed realistically with faithful depictions of beings and matter.... Different traditions have different pieces of artworks that identify their uniqueness.... This paper will compare and contrast two artworks that origination from the tradition of western civilization and traditional African culture....
5 Pages (1250 words) Essay

Cross-Cultural Comparison of the Eastern and Western Cultural Behavior

This essay "Cross-Cultural comparison of the Eastern and Western Cultural Behavior" based on research by Hofstede identifies key dimensions including masculinity, power distance beliefs, and uncertainty avoidance, that account for variation between the Eastern and Western cultural behavior.... Saving face is another aspect of Chinese culture.... High-context cultures must be separated from low-context cultures....
6 Pages (1500 words) Essay

Western Cultural Influence on Japanese Artistry

With the onslaught of European, Asian and North American tourism and beliefs, Japanese culture has not only changed in terms of its economics, politics and other social factors but its artists have changed their focus as well (Martinez, pp.... Japanese art has undergone major changes since the end of national isolation; with the onslaught of European, Asian and North American tourism and beliefs, Japanese culture has not only changed in terms of its economics, politics and other social factors but its artists have changed their focus as well (Martinez, pp....
9 Pages (2250 words) Essay

Non western art history

This painting shows the Chinese culture and the poor people of China and their only entertainment.... The mission of the museum is to make them know about the culture and art of the region, which is not well known to them.... I have seen many art pieces of the Asian origin and the ones who represent the culture of East and Pacific region.... Apart from the artwork, there is a research library, which contains more than 7,000 reference books about the art and culture of Asian and Pacific region....
6 Pages (1500 words) Essay

Western Developmental Psychology In Non-Western Cultures

Western cultures led to scientific development, the American Revolution and enlightment which mean that the culture is evenly spread all over the world yet it is not that prominent in nonwestern countries.... Western culture has little significance in Africa and the Middle East (Miao & Wang, 2003, p 259).... Western culture is by itself a humanity culture which can be admired by all the nonwestern countries since it has universal practices but a shift from pure practice of western cultures should be encouraged by psychologists as they counsel people....
2 Pages (500 words) Term Paper

Western Culture Impact on Diverse Cultures

The paper "Western culture Impact on Diverse Cultures" claims Western values are attributed as serving as the foundation for modern globalization, the inter-connecting world economic markets, and corporations that facilitate international trade and expose diverse cultures to many Western values.... The United Nations (2001) identifies that there is a growing concern that Western values being spread on the heels of globalization is degrading cultural capital (unique tastes and values) and creating a type of social deprivation when Western culture is superimposed over other diverse cultures....
4 Pages (1000 words) Essay

The Comparison of the Western and Non-western Regions

This work called "The comparison of the Western and Non-western Regions" focuses on the comparison and contrast of art between these two regions.... There are many interesting issues within the culture of these regions because there are elements that are important to know the particular roots in the course of action.... In this article, the contrast and comparison will draw a focus on the western and non-western regions.... Long before the colonization times, the non-western region was strongly attached to the traditional beliefs because most cultures had a strong belief in spirits....
6 Pages (1500 words) Article
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Contact Us