The paper “ Computer-Composed Music, Software Pieces Used in Recording, Mixing, Composing, Editing and Rendering Composition” is a thrilling example of an essay on music. One of the most important innovations in electronic music is perhaps the use of computers. The types of computers used vary from general-purpose machines, large mainframes to digital circuits that are designed specifically for use in music production or performance. Digital computers have a number of musical applications that can be classified into five basic groups. These include sound synthesis; music composition; theoretical, acoustical and musicological research; music printing and music notation processing; and information retrieval and data processing.
In virtually all of the above-mentioned fields, there has been a considerable amount of experimentation and research. Sound synthesis has particularly stood out as the most advanced and widespread activity. Evidence of the advancement of computer music includes the Computer Music Association, the Computer Music Journal, and the annual International Computer Music Conference. This paper investigates the various ways in which computers are utilized in the music industry. Computer compositionComputer composition is a complementary process to sound synthesis because the composition may lead to sound synthesis.
An artist may decide to use selected composition programs when making a composition. The composer may subsequently stop using the computer and take the computer results in the form of a printout, which he/she may decide to the transcript to instrumental performance. Otherwise, the composer may decide to convert the composition results into electronic sounds using other computer programs for sound synthesis. After the composition and subsequent instrumental performance or sound synthesis, the composer may decide to use scores that are already composed in his/her sound composition.
When the composer chooses to utilize the latter option, then he/she essentially presents his/her score into a computer-readable form, which means that the computer acts as a data translator. It is important to note that computer composition is just a method but not a style. Essentially, music composers can use computers to write all music genres, including novel and traditional music. For a composer, the beauty of using computers in music composition and synthesis is not in recreating styles of music that are already known, but in creating new musical expressions that are as a result of computer-related technological developments. Presently, music composers need a compiling language that is made up of statements that are either musical or quasi-musical, coupled with a comprehensive library that provides compositional operators.
Such compositional operators may be written as closed subroutines implying that a music composer’ s system will be analogous to other computer languages that are used for other functions like FORTRAN, which is for mathematicians. There are two major impediments in the development of a computer language for musical purposes.
The first is the challenge of allocating sufficient money, time and other required resources. The second challenge is the determination of what should be included in the subroutine library. That is, stating precisely what small decision-making and activity units go into music composition. Unlike in mathematics, where predefined modes of thinking and formulas guided the definition of subroutines, it is a daunting task to define music composition modules.
Anthony, R. 2013. “Beginner’s Introduction to Composing on the Computer – Software”. Accessed January 17, 2015, < http://music.tutsplus.com/tutorials/beginners-introduction-to-composing-on-the-computer-software--audio-19607 >
Hiller, L. (2013). “Electronic Music”. Accessed January 17, 2015, < http://www.britannica.com/EBchecked/topic/183823/electronic-music/27528/Computer-sound-synthesis >