Societies Degrees of Mental Wellness - Essay Example

Here, one can start considering the multitudes of psychological testing they endured before expiration. Then, familiar pop-culture icons are useful in bringing reality to the subject of insanity which, he says, has inoculated all of society. So, those interested in the extremes of horror for their personal entertainment become news headline. Those indulging in such primal insanity bring personal fears up front, close and personal because they were never caught. He also reinforces those warnings the parents and caregivers pass onto their children, as they venture out into a world where everyone is dealing with issues of psychological wellness to some degree, leaving individuals ill-equipped to identify people like those who got away with it.

Upon the review of his literary and cinematic stories, it gives one pause when trying to pin point him on his own mental illness scale. Therefore, horror entertainment fanatics are targeted by Stephen King, as he introduces them to what he calls a totally mentally ill society. He shows how all the forms of horror entertainment allow followers to savor their individual mental illness without repercussions, because they are authorized by pop-culture idols and logically ingested by his use of deep-seated analogies, which leave the audience with a humorous look at our society as being made up of a population of the mentally ill.

When the analysis turns the reader to seek out and determine the normal, conservative reactionaries, King directs them to pop-culture icons. First, by showing in the horror film junkie what real ugliness is; then, he shows the beauty that a lot of people aspire to and, in turn, lets them know that no one could never be truly ugly…“Freda Jackson as the horrible melting woman in Die, Monster, Die! confirms for us that no matter how far we may be removed from the beauty of a Robert Redford or a Diana Ross, we are still light-years from true ugliness.

”… (King, line 8). To explain this, Freda Jackson is perceived as a melting woman in Die Monster, Die! substantiates that no matter how far we may be away from the beauties of Diana Ross or Robert Redford, we are not even close to being ugly. This also results into feeling re-establishment of ordinarily; the horror film is essentially traditional and reactionary. This leaves those who watch such films to sit back and simply get entertained and have fun, only that this type of fun is unique in its coming from seeing other menaced and even occasionally killed.

This has led to some critics suggesting that horror film has been turned into public form of execution. As King complements readers on their behavior, people are only there to enjoy each other and to clarify one's reality of normalcy. He says, “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.”… (King, line 1). Something worth noting is that everybody is insane; what brings the difference amongst them is the degree of sanity.

It is at this point that the severely insane part of society is acknowledgeable by those who have not expired at their hands, or otherwise. For instance, there are those capable of carving women, like in the case of Jack, “were the likes of Jack the Ripper, the Cleveland Torso Murderer, we clap you away in the funny farm (but