Significant Others And Art Partnerships – Book Report/Review Example

Frida Kahlo and Diego Rivera “Diego Rivera and Frida Kahlo” is among the art partnerships that are well knownas well as recognized to this day. Both Khalo and her husband Diego were painters in Mexico. When both met, Diego had become a giant in Mexican art. Diego encouraged Khalo so much in developing her painting career. He too encouraged her to look at herself art itself. As her husband’s student, Frida had access to art material, knowledge of art as well as connections to assist her in her art interest. As a result, when they had gotten married she could dress in indigenous blouses as well as skirts.
Both of them did appreciate Mexico together with its culture and traditions which all artists, musicians, thinkers and writers embraced during the early days of the 20th century in Mexico. People saw their relationship to passionate; however, it was volatile as well. The paintings of Khalo portrayed her sadness caused by her husband and this portrayed the state of their marriage. There was a different theme within her work too. It portrayed her past life of suffering due to a bus accident she had experienced, which made her go through several surgeries throughout the rest of her life. She had as well suffered polio too at early age (Carol, 17).

Fig- frida wearing a thorny neckless - an indication of pain in life, (Heyden Herrera, Biography of Frida Kahlo, 1983)
On the other hand, the works of Diego included wall paintings within which at times were paintings of Khalo. He did monumental works mostly that involved mythical as well as historical subject. He also made paintings of daily scenes encountered within Mexico (Carol, 20).
Diego Rivera and Frida Khola were partners in marriage as well as in art. Each of them depended on the other in his/artwork. Diego brought Frida up fast in art work while he too depended on her in the sense that he used her as a model character within his works.
Reference
Carol, Sabbeth. Frida Kahlo and Diego Rivera. Chicago: Chicago Review Press, 2005.