FREUD'S PSYCHOANALYTIC THEORYINTRODUCTIONAt the time Freud gave his psychoanalytic theory, it provided a completely new loom to the analysis and management of atypical adult performance. Previous views tended to overlook behavior and glanced for a physiological clarification of "deviation". The innovation of Freud's approach was in distinguishing that neurotic conduct is not arbitrary or insignificant but goal-directed (Erwin, 2003). As a consequence, by looking for the reason at the back so-called "abnormal" behavioral outlines, the psychoanalyst was specified a way for accepting behavior as significant and educational, without refuting its physiological aspects (Erwin, 2003). In this paper I will explain the main principles of Freud’s psychoanalytic theory with reference to the film Pretty Woman that is the film in which Julia Roberts plays the lead role.
I will analyze her behavior in different parts of the film in context to Freud’s psychoanalytic theory. FREUD'S PSYCHOANALYTIC THEORYOne of the central criticisms of nearly all theories of character is that they have intricacy accounting for the absurd, less conventional patterns of human philosophy and performance. Psychoanalytic theory however heads immediately for the jugular, the profound, mystifying foundation of the human psyche, in hunt of understanding the psychology of the creature (Greenberg, 2003). A BRIEF OVERVIEW OF THE FILM – PRETTY WOMANEdward's a stylish man and knows Vivian's present job standing, but that is not the sole reason why he advances towards her.
If we see in the light of the Freudian theory, both are caught up in problems of their own and they seek a temporary refuge under their sexual desires together. Edward's a capitalist and makes Vivian a career offer. Things get secure for Vivian and Edward in a way that neither of them imagined.
Vivian proved to have a method of centering Edward and encompass him looking at living in a more liberated and revitalized way. Edward is able to bring self-confidence, refinement, and positive reception of art into Vivian's earth, as each embarks on to instruct the other some powerful significant lessons about life and affection. ANALYSIS OF THE FILM In taking into account behavior, the large, unique input of psychoanalytic theory is the proposition that much of the clarification for human behavior, which is habitually out of the ordinary and seemingly clashing, lies basically out of sight in the insensible, and is the consequence of how a human being negotiates contradictory, deep-rooted requirements and instinct (Greenberg, 2003). The psychoanalytic theory makes out the premature years of growth as making a serious contribution to the mature psyche, depending on a variety of psycho-sexual periods are resolved. Humans have bottom instincts (comatose urges): In Freudian psychology, the unconscious is enormously important in shaping behavior.
Freud believed that people are motivated, basically, by unconscious, animalistic, instinctual urges, predominantly envy and antagonism (Wax, 2000). For example, humans desire gratification, but people places restrictions on the types of pleasure-seeking which it deems tolerable. Freud emphasizes the degree to which humans are aggravated by psychosexual enjoyment. BASIC PRINCIPLES OF THE FREUDIAN THEORYGeography of the mind (unconscious, pre-conscious, conscious): Using an iceberg symbol, the insensible is unstated to be the big part of the intellect, which is hidden from sight. Freud also supposed that if there was information that was too excruciating for the mindful part to bear, that protection mechanisms would operate to push it downward it into the insensible part of the intellect (Wax, 2000).