North American Roots Music of Social Protest: Ethnographical Evolution through Time – Annotated Bibliography Example

North American roots music of social protest: Ethnographical evolution through time. Jackson, D. J. (Spring 2005). Peace, Order, and Good Songs: Popular Music and English-Canadian Culture. The American Review of Canadian Studies, 25-44.
According to Jackson, popular music penetrates through the heart of the people and dictates their social, political and economic beliefs. The life of Canadian is so much influenced by music that people culture is depicted in music. The author also says that music impact on the peoples thought and actions. Moreover, Jackson allude that popular music play an important part in creation, re-creation and evolution of culture. The article is important because it show how music influence on social unrest and detailed example of popular music that have been used to press action on government policies that disregard equity and justice for all. The article explains the role played by Gordon Lightfoots music in unifying the Canadian population as outlined and advocated by the Canadian government. Therefore, music can be used to create a desirable culture of hard work and thrive a country to economic prosperity and thus discourage social protests and unrest.
Leary, J. P. (2013). Ironworker Blues: Workers Song, Workers Voices. Western Folklore, pp. 333-354.
Leary devotes his energy analyzing the role of Workers song in the past and present in the life of Ironworkers. He explains the origin of Ironworker Blues among American work force. Leary explains that in the past, workers advocated their grievances through songs. Moreover, not only does worker air their view through song, but the society addresses and voices its challenges through folksong. Leary also argues that workers communicate on the skills of the trade through songs. In addition, workers song cautions other on the hazard and risks while praising those that have triumphed in the sector. The article by Leary is helpful in finding the root of folksongs and their role in agitating for changes in the society. The songs such as Ironworker Blues was among the song sung in the street protest by workers demanding for better remuneration and good working condition. However, Leary article fails to capture the role of Ironworker Song in bringing social change in another part of the society. The Ironworker Blues article by Leary is important because it addresses the evolution of American root music and their contribution to social protest. The source is so rich and educates the readers of past folksongs.
MacDowell, L. S. (2003). Paul Robeson in Canada: A Border Story. Labour/Le Travail, 177-221.
The author of the article is talking about the role of music in the society. He talks of Paul Robeson, a Black American songwriter and artist. He says of Robeson that his music talked of freedom, unity and brotherhood. According to MacDowell, music is as powerful in spreading messages as it resonates well will the people. This is true because Robeson had to stay within the boundaries of U.S because the authoritarian regime fears the influence he had on his music. MacDowell gives a good example of the power of music. However, the author brings to light how popular music is used by politician to advocate their agenda. The article is useful in explaining the role of music in social protest over time since the beginning of civilization. For example, the world had protested for the release of Robeson so that he can perform in other countries such as Canada and Britain. Music is a powerful tool that have changes the world and continue to do so even today. Therefore, music artists should be accorded respect for their role in social change.
Rardon, J. (2011, 03 10). Published: March 10, 2011 6:00 AM North Island Gazette – J. Rardon. Retrieved from boodaboom: http://boodaboom.com/?page_id=6
The article analyses the influence of music in stating the needs of the citizens. The ‘boodaboom’ kind of music that takes away ‘the souls of the listeners,’ meaning that no one can resist the music. Non-resistance or this kind of music gives it the strength in delivering their message. The popularity of the music has lead the artists to express the social discomfort regarding how the country is being run. One of the artists, Theo Massop explains that the music is now used to ‘cut through the demand of your attention.’ The demand that are being put forward is the various demand that the North American society has in common such as that of fair distribution of wealth. Although it is widely used to instigate revolution, most of the people from the elite class are not willing to execute the demands, creating a weakness. The message that is spoken and the reaction of the fans shows how music is being used to influence the policy makers in the North of America and other parts of the world.
Uehlein, J. (2001). An Overture into the Future: The Music of Social Justice. Retrieved from jstor.org: http://www.jstor.org/stable/40342309
The article explains the transformation that the society have undergone due to the influence of music. North American society is fundamentally prejudiced via music. The music fans are eager to copy every aspect of music artists. For instance in this article, fans of the music artist Murphy have their ears pierced and tattoos on their hands. They shout his name as they anticipate his performance. The dispatch that the music give is that there is supremacy in association. The union that is given here is a form of doing away with various traditions that seem unnecessary to the youths. The huge audience from the youths marks the strength of this music. The elderly, on the other hand, are not willing to heed to their requests. The youths are still generating pressure in the society creating a social conflict. The message that they are sending to the state is that the leaders must sing their tunes. In other word, the state is supposed to act in a way that it supports the youth.



References
Jackson, D. J. (Spring 2005). Peace, Order, and Good Songs: Popular Music and English-Canadian Culture. The American Review of Canadian Studies, 25-44.
Leary, J. P. (2013). Ironworker Blues: Workers Song, Workers Voices. Western Folklore, pp. 333-354.
MacDowell, L. S. (2003). Paul Robeson in Canada: A Border Story. Labour/Le Travail, 177-221.
Rardon, J. (2011, 03 10). Published: March 10, 2011 6:00 AM North Island Gazette – J. Rardon. Retrieved from boodaboom: http://boodaboom.com/?page_id=6
Uehlein, J. (2001). An Overture into the Future: The Music of Social Justice. Retrieved from jstor.org: http://www.jstor.org/stable/40342309